London 1943: War and dwindling resources are taking their toll on the staff of Partridge Press. The pressure is on to create new books to distract readers from the grim realities of the war, but Partridge’s rising star, Alice Cotton, leaves abruptly and cannot be found.

Alice’s secret absence is to give birth to her child, and although her baby’s father remains unnamed, Alice’s mother promises to help her raise her tiny granddaughter, Eadie. Instead, she takes a shocking action.

Theo Bloom is employed by the American office of Partridge. When he is tasked with helping the British publisher overcome their challenges, Theo has his own trials to face before he can return to New York to marry his fiancée.

Inspired by real events during the Second World War, Finding Eadie is a story about the triumph of three friendships bound by hope, love, secrets and the belief that books have the power to change lives.

Meanwhile in Dopamine City is the story of Lonny Cush, sanitation worker and single parent, kind-hearted and red-blooded, who is trying his best to protect his kids from the hysterical hyper-reality of 21st century life. He lives in an unnamed fictional world city, dominated by a huge tech company akin to Google. A manual worker – although he has been put forward for ‘retraining’, a euphemism for redundancy – Lonny is out of sync with the changes in his hometown and his century, and doesn’t have the means to give his quiet teenage son Egan and his precocious, ultra-demanding nine-year-old daughter Shelby (one of the most memorably awful children in literature!) what they need, or say they need. But with his mother-in-law circling for custody, and needing to win back his kids’ favour after he maybe went too far in discipling Shelby, he succumbs, splashing out on the thing Shelby wants more than anything else: her first smartphone.

And so begins the silken silence as she drifts off to her room and down the rabbit hole of memes, trolls, hysteria and peer-pressure, and the true, vertiginous terrors of 21st-century life start flooding into the Cush household. And what should Lonny do? Rescue her or follow her? Because who is right: Lonny, or the world he and everybody else is living in now?